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Agrippina review by Charlotte Valori for Bachtrack

The amorality of Handel’s Agrippina has shocked and delighted audiences ever since its première at the Venice Carnival of 1710.… View More

Agrippina reviewed by Anna Picard for The Spectator

...For Handelian string playing of real vitality, rhythmic verve and dramatic engagement at point-blank range, head to the tiny… View More

Agrippina review for Opera by Hugh Canning

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Orpheus in the Underworld - The Guardian

Iford is a tiny operatic heaven, so it feels like a contradiction in terms to make it the setting for the hell of Offenbach’s operetta. But Orpheus in the Underworld also embraces the… View More